What is it like to be an animal? Ron Broglio wants to know from the inside, from underneath the fur and feathers. In examining this question, he bypasses the perspectives of biology or natural history to explore how one can construct an animal phenomenology, to think and feel as an animal other—or any other. Until now phenomenology has grappled with how humans are embedded in t...(展开全部)

▼ 作者简介 艾米·里奇（Amy Leach），作家，教师，合唱团钢琴师，现居芝加哥。 生于美国得克萨斯州，于爱荷华大学获得创意非虚构写作的艺术硕士学位。 2008年，荣获罗娜·贾菲基金会作家奖。 2009年，文章入选《2009年美国优秀散文选》。 2010年，荣获怀廷作家奖。 2011年，荣获手推车奖。 ▼ 译者简介 徐楠，北京外国语大学翻译系学士，伦敦大学学院出版专业硕士。视翻译为初心，现与图书共事。

The narratives in this book are of journeys made in three wildernesses - on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, somet...(展开全部)

杰里·本特利 （Jerry Bentley），1949年生，美国夏威夷大学教授，《世界史》杂志主编（1990年至今），中国首都师范大学历史系特聘教授。治史范围广阔，对近代早期欧洲文化史等领域有深入研究，在世界历史的研究与教育领域具有重要影响。赫伯特·齐格勒（Herbert Ziegler），美国夏威夷大学副教授，兼任《世界史》杂志编辑，专长20世纪欧洲的社会史与政治史。

Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history”...(展开全部)

Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history”...(展开全部)

A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world. Denis Diderot is often associated with the decades-long battle to bring the world's first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve h...(展开全部)

这项历时十年的古代中国艺术研究，考察了从新石器晚期（公元前第四千纪）到战国末期（前三世纪）的玉器、陶器、丝绸、漆器、铜器和展示性文字的历史。本书两位学者聚焦于艺术史研究的根本问题：艺术史学家必须依靠考古学，也必须依赖从物品本身所能攫取的信息。 要想阐述艺术品的历史——要想解释它们——势必要找到通向个人思维的途径，无论他们的名字是否为人所知。当我们能找到一件作品的可信的前身时，这些前期作品就为我们提供了途径来理解作品背后所蕴含的思考，因为作品背离其前身之处，反映出了有意识或无意识做出的决定。半个世纪以来，中国考古学家从年代确切或者信息丰富的遗迹中所揭示的材料之丰富让人难以想象，极大地改善了此等研究的前景。 本书图版里的大部分作品在1970年时仍然深藏地下，那一年写的书决不可能做出贝格利和王海城在本书中的尝试。由于考古发掘仍在高速进行，现在写的书也决不可...(展开全部)

A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world. Denis Diderot is often associated with the decades-long battle to bring the world's first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve h...(展开全部)